20.01.2012 / AI Profile
Restoration man
Graham Sheffield, director of arts, British Council
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20.01.2012 / Dea Birkett
Whose show is it, anyway?
Dea Birkett is confused by the increasing reliance on audiences to make the play
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20.01.2012 / Museums
Canterbury’s past - and its future
The Beaney, the cathedral city’s museum and library, is being transformed to fit a new culture-hungry generation
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20.01.2012 / Heritage
Raising the roof
Patrick Kelly on efforts to combat the rising tide of heritage crime
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20.01.2012 / Communities
The MAC Factor
Patrick Kelly on the little arts centre in Belfast that became the city’s biggest ever arts investment
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20.01.2012 / Communities
Dada takes the upward Hare course
Since Dada-South, the Maidstone-based development agency or deaf and disabled artists learned last March that it had failed to get National Portfolio funding from the Arts Council, we have been following its fortunes as it looked towards what seeme...
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21.12.2011 / Simon Tait's Diary
The outstanding LBT
Plus... Glasgow's 15 cheers from Niki... A Place in the sun... Solved - Heatherwick's dilemma...
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20.12.2011 / AI Profile
The ‘arrogant pig’ that gave the arts business feet
Colin Tweedy, chief executive, Arts & Business
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20.12.2011 / Galleries
Edinburgh’s Cinderella has her day
120 years after it was built, the Scottish National Portrait Gallery at last lives up to its potential
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20.12.2011 / Funding
Rolex play
Every two years Rolex gathers the arts mentors and protégés it sponsors, past and future, for a weekend. This time it was in New York, and Sebastian Scotney was there
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